Sarah Bloom: The Impermanence of Being
The Impermanence of Being, an exhibition in Gallery 1 of photographic self-portraiture by Sarah R. Bloom.
The Impermanence of Being, an exhibition in Gallery 1 of photographic self-portraiture by Sarah R. Bloom.
Elena Bouvier has two pieces: “I Am” and “In My Power, I Am Magic”
both photography / dye infused aluminum from 2017
THE WOODMERE ANNUAL: 77TH JURIED EXHIBITION
RECEPTION
Saturday, June 2, noon - 4pm
June 9th, 3–5pm
Gallery Talk by Juror, Syd Carpenter
Keith had an 8 x 10 peice Spring 1 accepted for this project.
Four winners will each receive a 3 month long artist residency at The Barnes Foundation and a $1000 a month stipend for supplies. Artists were invited to create works inspired by the collection, and the public and a group of curators will select which 4 artists will receive a residency.
The sculpture of Christopher Smith is featured in this prestigious journal's spring 2018 issue that has the theme "Art of Cement."
Jodie A. Shull wrote the articles "Beautiful Contradiction: The Concrete Sculpture of Christopher Smith" and "Nature in Concrete," Sculpture Review (spring 2018), 8-14; 16-17 and 15.
Laurie Beck Peterson is participating in Let’s Connect at The Barnes Foundation, and her piece will be exhibited for 2 weeks May 21- June 4, 2018.
Photo is inspired by the painting A Group of Trees by Chaim Soutine.
In this workshop we'll start by making a simple accordion (concertina) binding with attached covers. Then we'll make a sewn multi-section binding that uses a modified accordion structure as the basis. If time permits, we'll begin a third binding. You'll quickly see that once you learn the basic concertina fold, there are countless ways to modify it in order to create new book structures.
Featuring PD Packard's Freestanding Installation of Printed Decorative Papers