Welcome to artlife where we post a curated selection of events, exhibitions, workshops, and doings by heavybubble and artists that use our services. Check out the artist opportunities and events that catch our eye.
Welcome to artlife where we post a curated selection of events, exhibitions, workshops, and doings by heavybubble and artists that use our services. Check out the artist opportunities and events that catch our eye.
Elena Bouvier has two pieces: “I Am” and “In My Power, I Am Magic”
both photography / dye infused aluminum from 2017
THE WOODMERE ANNUAL: 77TH JURIED EXHIBITION
RECEPTION
Saturday, June 2, noon - 4pm
June 9th, 3–5pm
Gallery Talk by Juror, Syd Carpenter
Keith had an 8 x 10 peice Spring 1 accepted for this project.
Four winners will each receive a 3 month long artist residency at The Barnes Foundation and a $1000 a month stipend for supplies. Artists were invited to create works inspired by the collection, and the public and a group of curators will select which 4 artists will receive a residency.
The sculpture of Christopher Smith is featured in this prestigious journal's spring 2018 issue that has the theme "Art of Cement."
Jodie A. Shull wrote the articles "Beautiful Contradiction: The Concrete Sculpture of Christopher Smith" and "Nature in Concrete," Sculpture Review (spring 2018), 8-14; 16-17 and 15.
Laurie Beck Peterson is participating in Let’s Connect at The Barnes Foundation, and her piece will be exhibited for 2 weeks May 21- June 4, 2018.
Photo is inspired by the painting A Group of Trees by Chaim Soutine.
The Digital Projects for the Public program supports projects that interpret and analyze humanities content in primarily digital platforms and formats, such as websites, mobile applications and tours, interactive touch screens and kiosks, games, and virtual environments. The projects must be designed to attract broad public audiences.
Receipt Deadline June 6, 2018 for Projects Beginning December 2018
In this workshop we'll start by making a simple accordion (concertina) binding with attached covers. Then we'll make a sewn multi-section binding that uses a modified accordion structure as the basis. If time permits, we'll begin a third binding. You'll quickly see that once you learn the basic concertina fold, there are countless ways to modify it in order to create new book structures.
Use this link for the public:
www.heavybubble.com/kindofblue
ARTSPACE 1241
1241 Carpenter Street
Philadelphia, PA 19147
PUBLIC HOURS
Fridays + Saturdays 1 – 4 PM
Pick up dates
Saturday, July 28 : 1 - 5 PM (closing party 1 - 4pm)
Monday, July 31 : 1 - 4 PM
Featuring PD Packard's Freestanding Installation of Printed Decorative Papers
Artist Reception
March 10 / 1:30 - 4 PM
This exhibition features all new drawings. In the past year Stella has renewed her exploration of color relationships and color saturation, a departure from her last exhibition. These drawings on panels move gently onto new planes.
The constant in her work is the role of process and materials. Methodical, repetitious, and meditative marks are the vocabulary of measurement and probing.