Jessica Hoffman : Forever and After
EXHIBITION EXTENDED
Through Friday, December 9th
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SPECIAL POST* Performances
Saturday, October 15
Sunday, October 16
1:30 & 4:30 pm
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110 CHURCH gallery is pleased to announce Forever and After an exhibition featuring the conceptual and performance art of Jessica Hoffman.
Hoffman's work considers the connection/disconnection between discarded artifacts of communication and memory. If old letters, photographs, or videos are connected to past events in our lives — what happens when they are discarded or lost? Hoffman uses obsessive or meditative actions to explore how we classify, organize, and recall the contexts and memories attached to these objects.
Slideshow is an
investigation of memory, using a collection of found slides from the
1960s and 1970s shot throughout Europe and the United States by the same
person. I removed the central content from the slides by scratching
into the emulsion, leaving only a pile of scratchings that hold the
memory of the lost image and blank spots on the slides, looking like
ghosts.
Each performance – 4 total - of Slideshow focuses on
themes found throughout the collection of slides – interesting
architecture, sculptures, people on the street, etc. The scratched
slides conceal important information, such as a large Gothic church in
the middle of the shot, at the same time revealing smaller details that
may have been overlooked, like the woman standing in the corner with her
dog. The viewer, therefore, is only shown what I have decided to keep
on the slide, leaving me as the last one to have viewed them in their
entirety and original context.
Talent Show
is a split screen video piece using footage shot at a school talent
show on the left and my own version of the performances on the right.
This piece explores the desire to imitate performers that we idolize and
show off talent that may or may not exist.
Dear Mad,
I really like your hair today! Love, Johnny is an installation inspired
by a box of hundreds of love letters found on the street. This piece
is an investigation of young love, infatuation, and obsessive
behaviors. The letters are mostly mundane, often repeating the same
thoughts and expressions, and are all folded neatly in exactly the same
way. To mimic the obsessive nature of the letters I collected my hair
and preserved each strand in individual glassine envelopes.
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Jessica Hoffman lives and works in Philadelphia, PA. In 2010 she received an MFA in Book Arts/Printmaking at the University of the Arts in Philadelphia. She received a BFA in Photography from the Corcoran College of Art and Design in Washington, DC in 2003. She has also studied at the Fleisher Art Memorial, Project Basho, and the Maine Photographic Workshops.
Currently, she is a Conservation Bench Technician in the library at the American Philosophical Society and a Production Assistant at Current Designs. Ms. Hoffman previously worked as a graduate teaching assistant in Research Practices, Book Arts, and Non-silver Photography and developed and led a workshop in alternative photography to high school students through the Hirshhorn Museum and Sculpture Garden’s Art Lab for Teens program.
Her work is influenced by scientific theory and practice and the relationships created by the interaction between humans and communication technology. Her installations include work in several mediums, among them video, photography, books, and paper. She has exhibited her work nationally and internationally in galleries and at book fairs.
images: Slide Show, Talent Show, and Dear Mad, I really like your hair today! Love, Johnny
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